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1968 1972 1991 Ahmed Zaki Algeria Algerian cinema Algerian Revolution Ali Suliman Al-Kitkat Al-Monitor Antonio Banderas Arab cinema Arab film auteur banned Beirut Ben Affleck Bessem Youssef Brendan Gleeson British Cannes Charles Lloyd: Arrows into Infinity Chile Chronicle of the Years of Embers cinema civil war classic Colin Farrell Comedy controversial crime Cutouts of Memories cynicism Daoud Abdel Sayed dark comedy David Fincher Diary of a Country Prosecutor documentary Doha Film Institute Doha Tribeca Film Festival Donal Mosher Dorothy Darr drama DTFF egyptian Egyptian film Ehab Tarabieh El-Kitkat epic erotic film film festival football Freida Pinto gangster Ghassan Kanafani Gillian Flynn historic drama historical Hussein Kamal Ibrahim Aslan indie film Israel Jean-Jacques Annaud Jeffery Morse Kamal Atiyah Land of Fear Lebanese Lebanese cinema Lebanon Mahmed Nedali Mahmoud Abdel Aziz Mark Strong Martin McDonagh matryrdom melodrama Michael Palmieri misandry misanthropy misogyny Mohammed Lakhdar-Hamina Moroccan Nadine Labaki Neil Patrick Harris Newt Gingrich Off Label Omar Lotfi Omar Mullick Palestine Palestinian Palestino Palme d'Or published Qasaqees ath-Thikrayat Qatar Qatari production realism realist drama Rosamund Pike satire short film Shukri Sarhan soccer social comedy social drama suicide suspense Syria Syrian cinema Tahar Rahim Tarak Ben Ammar Tawfiq al-Hakim Tawfiq Saleh terrorism The Deceived The Duped The Dupes The Fruit Hunters The Machine Which Makes Everything Disappear The Postman The Wages of Fear These Bird Walk thriller TIFF Tinatin Gurchiani Toronto International Film Festival Tyler Perry Um-Hashim's Lantern World Cup Yahya Haqqi Yasmina Khadra Yorgo Voyagis Yung Chang Ziad Doueiri أحمد زكي أرض الخوف الصدمه الكيت كات المخدوعون جناح الهوى داوود عبدالسيد قصاقيص الذكريات وقائع سنين الجمر وهلّأ لوين؟

 

About me:

My name is Mohannad Ghawanmeh--film scholar and cineast. I have produced, acted in, curated for, written about, and lectured on film. My expertise is centered on Arab cinema, but thoroughly extends into French, Italian and Japanese cinemas. I co-coordinated the first edition of the Minneapolis/St. Paul Italian Film Festival in 2008. I have been involved with the Twin Cities Arab Film Festival, organized by the Arab arts and culture organization Mizna, since its inception in 2002 and am its curator. I also curate the National Arab American Museum's film festival. I am a PhD student in Cinema and Media Studies in the University of California, Los Angeles.

 

About Cinema Arabiata:

Cinema Arabiata borrows its name from the famed Italian Arrabbiata sauce. Hot and spicy just like my temperament, the sauce draws from the Italian word, meaning “angry.” But why angry? Because there is too much derivativeness, exploitation, insipidness and falsehood in cinema these days. Just as there is in popular US media coverage of Arabs it so happens. Cinema Arabiata aims to cover Arab cinema primarily, but not exclusively. Its ambition is to persuade my readers that cinema, including Arab cinema, has the demonstrated potential not only to inform and impact, but to profoundly move and inspire, to leave a lasting and indelible mark on the lives of it audiences. Cinema has helped shape me. I am better because of it. I invite you to celebrate it with me.

 

About Mizna:

Mizna is a forum for Arab American film, literature, and art. Mizna was founded in 1998 with the goal of providing a space for artists to present their creative work on their own terms, creating a counter dialog to that dictated by the predominant American culture. Mizna publishes Mizna: Prose, Poetry, and Art Exploring Arab America, the only journal of Arab American literature and has presented seven editions of the Twin Cities Arab Film Festival, as well as many other cultural events, featuring over 200 local and global writers, musicians, and artists.